About

Leeloo + Zohan is a New York design studio working where photography, archival research, and print meet silk and paper. Each silk scarf and fine art print is built from an original image, a rediscovered postcard, or a museum-archive plate—Smithsonian botanicals, Library of Congress engravings, Detroit Publishing Company postcards from 1905–1915. The idea is simple: a scarf can carry a story. A print can carry a place.

Paul Morris is the studio's founder. Parsons School of Design, BFA, 1997. Three decades of art direction across editorial and brand work in New York—roles at George, The New Yorker, and Maui Nō Ka ʻOi Magazine, and continued editorial client work on a project basis. Photographer on rotation through Hawaii, Central America, Europe, and Southern India. The scarves started as a side conversation between publication design and personal image-making. They became the main thing.

Every piece begins as an original photograph or a found image—often a 1910 postcard from a corner of New York most people have stopped visiting, or a Smithsonian botanical plate nobody has looked at closely in a century. It is layered, composed, and scaled to silk—100% silk habotai, in three square formats: 26, 36, and 50 inches. Each scarf is finished with a machine-rolled baby hem and made to order in an edition of 100.

The studio is named for two cats—Leeloo and Zohan—who run the place with the confidence of small celebrities.

The argument is the same as the argument for a good book or a small gallery: you live with it. A scarf worn on the A train in February is not the same object as a scarf folded in a drawer. It goes places. It collects a life.

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Explore the Collections

Each series is built around a different thread—archival imagery, travel photography, folk-art research, or original studio work.

• American Folk Art Series—heritage-inspired florals on silk habotai
• Artist Series—silk scarves from curated studio collaborations
• Founders Series—the original designs that started the studio
• Smithsonian Series—botanical plates reimagined in silk
• Vintage Postcards Series—archival travel imagery, 1905–1915
• Fine Art Prints—gallery-quality prints for the wall
• Everyday—tees, totes, and accessories carrying the same imagery

Questions, or interested in wholesale? Get in touch—we read everything.

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Selected Highlights

• Parsons School of Design, BFA, 1997
• Art direction at George, The New Yorker, and Maui Nō Ka ʻOi Magazine
• Original photography spanning New York, Hawaii, Central America, Europe, and Southern India
• Smithsonian-inspired botanical silk scarf collection
• American folk-art research translated into silk scarf design
• Archival vintage postcard imagery reimagined as contemporary accessories

For the Trade

Museum shops, galleries, boutiques, and institutional buyers are invited to the Wholesale & Trade page, or may write directly to info@leeloozohan.com for line sheets and partnership details.

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The Studio List

Members of the Studio List receive early notice when a new edition drops—typically three to five days before the public, sometimes on scarves or prints that won't be announced publicly at all. No promotions. No discount codes. Just the work, and the archive notes that come with it.

Email address Join the Studio List

Or write to info@leeloozohan.com to join by email.